BIOGRAPHY 

ABOUT 

I am a performing artist / mover-maker-collaborative-creator, working primarily in experimental contemporary dance-theater forms. For the past six years, I have been living and working in Boston/Providence, and have recently returned to Montréal. I am a self-proclaimed misfit thinker with a regular movement/stillness practice involving: meditation/sitting still, swimming, acrylic painting, body liberation activism, creative writing, neuro-phenomenology research, comedy improv, and yoga. My current research and practice revolve around ideas of embodied consciousness and sci-fi; exploring immersions in altered embodied states, including the process of meditative moving, altered or deeply embodied states of consciousness during movement, and the notion of optimal movement efficiency during such states of consciousness. I am passionate about exploring modalities that may optimize or enhance the conditions thought to bring about Flow state. I make/do things that are themselves awkward, digressive, disorganized (or at times radically over-organized), relational in odd ways, punky, sometimes difficult, experimental, and stand implicitly against normative ideals of quality and functionality. I have created work independently and on commission, but have a preference for interdisciplinary/multi-disciplinary and collaborative approaches. 

Educator/Teaching: In Boston, I was an Assistant Professor of Dance at The Boston Conservatory at Berklee, specializing in contemporary techniques, and taught the core contemporary technique class for all BFA Dance program students in their Junior year.  I also facilitated masterclasses, workshops, and weeklong class series' in open/professional programming like Saturday Switch at AS220, Moving Target at Green Street Studios, The Deep Dance Series at The Dance Complex, to name a few. In addition, I was invited to guest teach at institutions like the Walnut Hill School for the Arts, Providence College, Ecole Superieure de Ballet du Quebec, and Jacqueline Walsh Performing Arts High School, to name a few. This year I will be teaching part-time at a performing arts high school / Danse-Etude program on the south shore of the city.

Commissions: I am regularly commissioned to create work for theater, dance, and opera companies, as well as for university and college dance programs. My works have been presented by Le Festival International de la Danse at La Place des Arts in Montreal,  The Seattle International Dance Festival in WA, The Gibney Dance Center in NYC, Keene State College in NH, Endicott College, The Dance Complex, Green Street Studios,  and The School for Contemporary Dance and Thought in MA,  Providence College, Brown University, AS220's Modern Movements Festival, Roger Williams University, WaterFire Providence, and Festival Ballet, in RI. 

Producing: I was the artist liaison/administrative coordinator for AS220’s Providence Dance Festival and have co-produced five evening-length dance and live music concerts.

 

Performing:  In recent years, I have danced for and collaborated with choreographers such as Diane Arvanites, Korhan Basaran, Alissa Cardone, Lorraine Chapman, Heidi Henderson, Kellie Ann Lynch, Tommy Neblett, Paul Singh, Sydney Skybetter, B.J. Sullivan, Ilya Vidrin and Riley Watts.

 

Collaborations: I am a founding member, co-maker, co-producer, and performer with HDC Dance Ensemble; a Providence-based performing arts collective, founded by Gisela Creus, myself, and Orlando Hernández. Our works incorporate elements of voice, percussion, improvisation, and storytelling through physical theater/dance to create unique interdisciplinary dance experiences, primarily in a blend of tap and experimental contemporary dance theater. We have been presented by DanceNOW Boston, The Provincetown Dance Festival, Fresh Dance Fridays,  AS220's Modern Movements Festival, Roger Williams University, and Providence College. We currently have three duet works and two solos in repertory. For the fall of 2019 HDC was in residence as guest choreographers at Providence College, setting three new works on the student company and performing HDC repertory in the Fall Dance Concert. For the winter/spring season of 2020, HDC worked on a commission from American Indie Rock Band ARC IRIS. HDC designed the movement, in collaboration with four local dance artists, and performed in iTMRW; a 90-minute dance-theater piece set to a live performance of the futuristic concept album by the Providence art-pop trio. HDC began touring New England in the spring of 2020, but had to postpone our shows due to the Covid-19 pandemic.  

Currently: I am working on a music-dance-video sequel to iTMRW with the band: Arc Iris, and performers Marie-Eve Carriere, Kristen Cere and Louise-Michel Jackson, which is being supported by a grant from the Canada Council for the Arts. The videos should be released by mid-Sept. 

In addition, I am starting a 200hr Yoga Teacher Training program at Naada Yoga in Sept and am really looking forward to delving deeper into that practice. 

HISTORY

Danielle was born in Pembroke, Ontario, Canada and began her dance training with Sharron Fleet and Jane Wooding at The FleetWood Dancentre in Collingwood, Ontario. She left home at age 14 to attend L’École Supérieure de Ballet du Québec, in Montréal, and five years later obtained her DEC in Dance Performance (Classical Ballet - Contemporary) from L’Ecole Supérieure de Ballet du Québec / Cégep du Vieux Montréal. Upon graduation, she was invited to join Le Jeune Ballet, where she danced for three years as a soloist, and had the opportunity to tour Europe and North America, performing in new works by Thierry Malandain/Ballet Biarritz, Jean-Grand Maitre/Alberta Ballet, Helène Blackburn/Cas Public and repertory works by George Balanchine, Roland Petit, Jean Louis Morin/Martha Graham Company and Brian Macdonald, among others. 

She furthered her performing arts training by completing a three-year certificate program at George Brown College in Theatre/Acting. In addition, she participated in numerous intensives and residencies in Canada, the United States, France, Germany, Switzerland, the Netherlands, Belgium, Austria, and the UK in Action-Theater, Forsythe Modalities, Clowning, Physical Theatre, Improvisation, Skinner Releasing Technique, Partnering, Composition, and Body-Mind-Centering, to name a few.

Before embarking on an independent career, Danielle was a company member with Ballet Espressivo (2004-2006 -Toronto, CA), Line 1 Productions/Debra Brown (2007-2011-Montréal, CA), AmpleMan Danse (2011-2013 -Montréal, CA), Productions Fila 13/Lina Cruz (2013-2015-Montréal, CA), and most recently with Prometheus Dance (2015-2019 -Boston, USA).

From 2015- 2018, Davidson was the co-founding artistic director/performer with Shura Baryshnikov, of Doppelgänger Dance Collective, a dancer directed repertory collective which produced and commissioned new works by renowned artists, engaged live musicians, and performed internationally. DDC was also engaged to design movement for theater, dance, and opera productions such as with Bridge Repertory Theater and Ensemble Warhol. DDC self-produced and performed four evening-length dance and live music concerts in Providence and Boston: ''The First Four'' (2016), ''Myths, Legends & Questions'' (2017), ''Experiments in Improvisation'' (2018) and ''Jeanne & Elizabeth'' (2018).

Danielle Davidson is the 2001 recipient of le 1er Prix du Jury from Le Festival International de Danse Encore.

She has received six grants from The Rhode Island State Council on the Arts and two grants from The New England Foundation for the Arts for collaborative projects, and recently a grant from the Canada Council for the Arts.

© Danielle Davidson, 2020

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